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【陳立勝】劉蕺山“喜怒哀樂”與“春夏秋冬”比配說申一包養經驗辯

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Fang Chuncai occurs, and the branches of the shiny trees that are shining in winter are now blooming. Those buds are so terrible, and the whole branch is full of suffocation, as if they are about to explode. On the ground, there were dead grass before, and suddenly piles of seedlings popped up, as if they were all the way. The joy of heaven’s heart is seen, how can the spring of human heart be there?

 

The road south is located in the south, and it is spread from Yanping and Yuzhang. The method of practice never leaves the way before it is discovered. Zhu Zi Zhonghe Xin said that it is also gained by referring to this “undeveloped” atmosphere. However, the conflict between “responsibility” within Yangmingxue is “responsibility” (Kung Fu is only on “responsibility”) and the conflict between gathering and gathering, silence and synesthesia can be said in terms of certain meanings because of the differences in the atmosphere before this view has been discovered. Before the viewing is discovered, the real and focus problems of Song and Ming dynasties can be described. In relation to this, “developed”, “undeveloped”, “neutralized” and even “before and after” have become common considerations in the analysis of this kung fuKeyword. The original word “happiness, anger, sorrow, and joy” that is closely related to the above keywords is usually caused by the defocused state. Therefore, when Liu Fushan put forward the four virtues of joy, anger, sorrow, and joy, it gave people a refreshing feeling. Qianshan was also very self-conscious about this innovative statement: “The words of joy, anger, sorrow, and joy are not clear about later generations, and their nature is obscure. They are so many things to read, and they are specially selected.” Qianshanmen Huang Zongxi and Dong Yu also thought that they were the main creation of their thinking. [1]

 

In contemporary scholars will pay attention to the unique characteristics of the four virtues of joy, anger, sorrow, and joy when discussing and thinking about Liu Fushan’s nature, but it is very unfair to argue that Huishan will match joy, anger, sorrow, and sorrow, and joy with spring, summer, autumn and winter. The criticism of Mr. Li Siguang is the most representative: spring, summer, autumn and winter are the fields of experience, which belongs to “experience concepts”. How can it be “matched” with the joys, anger, sorrow, and joy that is “super experiencing emotions”? “The movement of the heavenly body is an experience and reality, neither certain nor constant.” Therefore, the four times are combined with the four emotions, which makes the “division between ‘experience’ and ‘super experience’” confusing, which is “there is an endless cowardly argument in the empty space.” [2] The teacher’s view is very clear: since Liu Weishan has already mentioned “happiness, anger, sorrow, happiness” as the “super experience” level, it should no longer be matched with the “spring, summer, autumn and winter” belonging to the “experience” level. Otherwise, it would be a “model error” in which “experience” is mixed with “experience” and “extra experience” and is a “close to a scheming” method.

 

This article believes that “happiness, anger, sorrow, joy” is regarded as “emotion” in the theoretical structure of Song and Ming dynasties in the past, and belongs to the “developed” model. Therefore, the four virtues of “happiness, anger, sorrow, joy” are indeed innovative, but the innovation in thinking in history is never a building in a high mountain, but innovation is also a continuation and transformation of existing thoughts. He used joy, anger, sorrow and sorrow to describe the way of heaven. Dong Zhongshu first discovered Gu Ming, and used joy, anger, sorrow to describe his mind. Yang Cihu and Wang Yangming had already learned the mind. Therefore, the mountain matches “joy, anger, sorrow, joy, and joy” with “spring, summer, autumn and winter”, and has a pure source of origin in the Confucian thinking system. Among this combination, “spring, summer, autumn and winter” is not just a “experience” in “the movement of heaven”, but a “horizon” open to the life of heaven. The matching of “joy, anger, sorrow, joy, and joy” and “spring, summer, autumn, and winter” is not the “combination” of the “different” field, but the existence of the body of the resonance of heaven and man, and the “ontological Feeling”. Whether it is spring, summer, autumn, and winter, or joy, anger, sorrow, as a “rhythm” that is endless, it actually has its own profound religious foundation.

 

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First of all, I want to point out that matching “happiness, anger, sorrow, happiness, and joy” with “spring, summer, autumn and winter” does not begin with Liu Fushan. When Dr. Chen Han read Sun Shenxing’s works, he found that the proposal of Yushan’s joy, anger, sorrow and sadness was triggered and affected by Sun. [3] In the article “The Merryman”, Sun Shenxing has already expressed joy, anger, sorrow and joy.The four characters are connected with “nature” along the way: “Detailed in “The Doctrine of the Mean”, likes to be united, and is happy; brothers and parents are happy; one army is wearing anger; sacrifice is sad. This nature is that everyone has it before it begins; this is all the things that are not controlled and everything is not up to the point.” [4] In fact, Wang Yangming said that “happiness is the essence of the heart” has clearly confirmed that the essay (happiness) that is regarded as one of the four emotions (joy, anger, sorrow, joy) will be brought to the level of the mind. Someone asked about joy, anger, sorrow, joy, and joy. Yangming replied: “happiness is the essence of the heart. If you get what you like, you will be happy, but if you are happy, you will be angry. href=”http://twlovestory.org/”>博官网, and when you lose your joy and sorrow, you are not happy, angry, or sad, this is true joy.” He also said: “Love is the body of the heart. Smoking the body is good, and going against the body is evil. If sorrow is in the mood, sorrow is the body of the heart, it is also true that

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