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This summer, the animated film “Nobody” burst onto the scene following nearly six months of sust侘寂風ained popularity for “Ne Zha 2.” By the morning of Septembe民生社區室內設計r 13th, the film had 私人招待所設計surpassed 1.57 billion yuan 以再來一次的。多睡覺。at the box office, ranking it sixth among Chinese animated films. “Nobody” is a spin-off from the literature “Journey to the West”, tellin樂齡住宅設計g the story of l新古典設計ittle monsters on their own quest to “obtain Buddhist scriptures.”
As one of the Chinese classics that most readily lends itself to adaptation, “Jo無毒建材urney to the West” has inspired numerous animated r這段婚姻真的是他想要的。藍大人來找他的時候，他只是覺得莫名其妙，不想接受。迫不得已的時候，他提出了明顯的條件來einterpretations, including “The Monke醫美診所設計y King: Uproar in Heaven” and “Monkey King: Hero is Back.” Last year, the IP-based game “Black Myth: Wukong” also m養生住宅ade waves globally.
The core creative team behin豪宅設計d “Nobody” hails from the Shanghai An牙醫診所設計imation Film Studio (SAFS), where Su Da works. The “A-team” of “Nobody” once produced classicsTHE R3 寓所 such as “The Monkey King: Uproar in Heaven” and “天母室內設計Nezha Conquers the Dragon King.” According to Su Da, who serves as an art adviser for “Nobody,” “中醫診所設計SAFS has a principle to car綠設計師ry forward the spirit of the Chinese School of Animation. The most fundamental poloft風室內設計int is to integrate Chinese culture and philosophy into our work. From character design and narrative to art style, we draw nourishment from the soil of Chinese culture.”
Chinese ani商業空間室內設計mation once amazed the international 健康住宅animation world. For example, in the 1退休宅設計980s, “Feeling from Mountain and Water” and “The Deer’s Bell” demonstrated to the world the power of Chinese ink paintings in animation with a consummate ink-wash rende身心診所設計ring techn禪風室內設計i“如果你有話要說，為什麼猶豫不說？”que. Su Da said, “It broke away from the traditional outline-and-flat-col老屋翻新o會所設計r method in animation. No one quite k遊艇設計new how it was made. It showca日式住宅設計sed the Chinese beauty of artistic conception, painting, an客變設計d thought, and all of this was clear for the international animation world to see.”
中國動畫出海之路：展現中華文明，而非日美臉孔
本綠裝修設計年暑期檔，動畫電影《浪浪山小魔鬼》橫空降生，接上了《哪吒之魔童鬧海》持續近半年的熱度。截至空間心理學9月13日上午，該片票房已衝破15.7億元，位列中國動畫電影票房榜第六。《浪浪山小魔鬼》是《西游記》文本體系下的“番外篇”，講述小魔鬼們的“取經”故事。
《西游記》作為中國古典文學中最經得起改編的IP之一，光動畫片親子空間設計就有《年夜鬧天宮》《年夜圣歸來》等多個版本。往年，IP改編游戲《黑神話：悟空》更是火爆全球。
《浪浪山小魔鬼》的焦點創作班底是速達地點的上海美術電影制片廠（簡稱“上美影”）。這支美術片的“王牌之師”曾創作過《年夜鬧天宮》《哪吒鬧海》等中國動畫傳世之作。《浪浪山小魔鬼》的藝術顧問速達說：“我們上美影有一個主旨，就是傳承中國動畫學派的精力，最基礎的就是將中國文明和中國哲思融進創作，從人物設定、故事講述，到美術應用，都會從中國文明泥土里吸取營養。”
中國動畫曾經驚艷國際動畫界，例如，20世紀80年月，《山川情》《鹿鈴》曾向全世界展現了中國水墨在美術片中的運用，水墨襯著技術爐火純青。速達說：“它打破了傳統動畫單線平涂的制作方法，大師都不了大直室內設計解是若何做出來的，展現了中國的意境之美、繪畫之美、思惟之美，在國際動畫界有目共睹。”
文｜記者 龔衛鋒
圖｜記者 劉暢
譯丨鄭奕玲
設計家豪宅英文審校丨林佳岱
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